Even after doing this for some time now (a couple of years), I still find the beginning almost paralyzes me. I have read so many magazines, looked at so many sites, thought so much about things I want to make, and yet when it comes time to actually BEGIN, I find I remember nothing about how I should start. It is one of the most courageous things I do, every time, to pick up something--a blank canvas, a piece of paper, a wood panel--and start to change it by painting, sanding, gluing, etc. Some of it is process--should I gesso first? should I use gel medium to adhere background papers? what color should I start with? It can be so overwhelming.
And part of that is in my mind about moving back in to a space somewhere in the house now that it's off the market until next spring. When I get my stuff, or at least most of it, back in and around me, will I know how to begin?
Showing posts with label beginnings. Show all posts
Showing posts with label beginnings. Show all posts
21 July 2009
02 January 2009
My Goals for Finished Pieces
The more I think about what to make for my challenge pieces with my local friend, the more I find myself thinking about what I like and do not like in my own finished pieces. Even just thinking about what I'm creating has helped me think differently about the pieces I see in a museum. I think I'm broadening my horizons!
One thing I am definitely becoming certain of is that I am firmly in the mixed-media category. Anything else would bore me, but this offers such a wide variety and the potential to keep learning new skills. I also am increasingly that I want all my pieces to have dimension to them. This began even over a year ago when I was still in my homegrown cardmaking workshop year, learning a different technique for each card I made. Just adhering something with foam tape so that it was on a different level than the rest of the piece was brilliant, I thought, and I am now finding that I am always looking for a way to add some dimension or extend something across a border.
Tonight I was contemplating the piece I'm working on for our "beginnings" challenge. It is certainly my most ambitious and I am not at all certain it's going to work out, but even if it doesn't I should learn something from it, so on at least one level it will be a success. Anyway, I realized that it is a personal requirement of mine that first and foremost, I want what I make to be pleasing to the eye. I'm not sure how to put it in any more exact terms--harmonious? pretty? [no, not that]? But some artists want their work to be disturbing on first glance, and I guess that at least at this point, I'm not one of those people. I want what I make to be something I or anyone would want to look at, something that if glanced upon on one's way from room to room, it would give a smile, a sigh of appreciation/pleasure, something like that.
Secondly, after one has simply found the viewing to be pleasing, I'd like the details of the work to be interesting for those (like myself) who find that intriguing. So there needs to be a backstory or amplification of the work that if explored is also satisfying in some way.
I still find great resistance in myself to having words on my pieces (seems way too twee), but this evening I read about Soul Soup and loved some of her poetry that is on her paintings. So maybe sometime in the next two or three months, I will add my own personal stipulation to our monthly challenge that I have to include words on my piece. It would be good for me!
One thing I am definitely becoming certain of is that I am firmly in the mixed-media category. Anything else would bore me, but this offers such a wide variety and the potential to keep learning new skills. I also am increasingly that I want all my pieces to have dimension to them. This began even over a year ago when I was still in my homegrown cardmaking workshop year, learning a different technique for each card I made. Just adhering something with foam tape so that it was on a different level than the rest of the piece was brilliant, I thought, and I am now finding that I am always looking for a way to add some dimension or extend something across a border.
Tonight I was contemplating the piece I'm working on for our "beginnings" challenge. It is certainly my most ambitious and I am not at all certain it's going to work out, but even if it doesn't I should learn something from it, so on at least one level it will be a success. Anyway, I realized that it is a personal requirement of mine that first and foremost, I want what I make to be pleasing to the eye. I'm not sure how to put it in any more exact terms--harmonious? pretty? [no, not that]? But some artists want their work to be disturbing on first glance, and I guess that at least at this point, I'm not one of those people. I want what I make to be something I or anyone would want to look at, something that if glanced upon on one's way from room to room, it would give a smile, a sigh of appreciation/pleasure, something like that.
Secondly, after one has simply found the viewing to be pleasing, I'd like the details of the work to be interesting for those (like myself) who find that intriguing. So there needs to be a backstory or amplification of the work that if explored is also satisfying in some way.
I still find great resistance in myself to having words on my pieces (seems way too twee), but this evening I read about Soul Soup and loved some of her poetry that is on her paintings. So maybe sometime in the next two or three months, I will add my own personal stipulation to our monthly challenge that I have to include words on my piece. It would be good for me!
22 November 2008
Thoughts on "Beginnings" of All Kinds
Our challenge topic for November/December is "beginnings", put forth by myself. We are taking two months to do it with all the holidays, Thanksgiving travel, etc. I am making lots of Xmas cards and trying not to stress myself out too much. My mind keeps saying that I "should" be doing lots of things, but I try to cut that off right away and just enjoy playing around with different things.
I am amazed at how fast the transition has been for me from following very detailed instructions to create a clearly defined end result to just playing around and seeing where it takes me. Really, I thought that would be much harder for me to do! I think that all the projects and reading I've done have really paid off, which is how I typically do things--immerse myself in information for a while, then I surface and start synthesizing what I've learned to execute it in my own way. From somewhere I have gained a lot of confidence that I didn't have just a few months ago.
One of the things I did that has produced some lovely embellishments to use on my Xmas cards was to make some monoprints with alcohol inks on glossy white paper (I think I used red pepper, oregano, and the gold metallic mixative). I thought they might work as background panels for something else, but they didn't, so I then put some gold peel-off stickers I got in England last summer on them. They looked nice but like stickers put on paper (which they were, of course!), so I put Glossy Accents over the exposed parts, and they really look quite nice now.
With all the coupons Michael's has been handing out the last few weeks, I've been adding some neat things to my inventory. One is the Sophisticated Finishes Patina set, which I'm dying to play with but may not get to until after the holidays (sob). An idea for one of next year's Xmas cards is to cut a big Xmas tree with upturned corners, patina it, and punch holes to hang little ornaments from on tiny jump rings. Or, maybe, just do the tree as is once it's patina'd--embellish it by putting a star on top or something.
Anyway, about beginnings:
--One idea would be to do a collage with many different images of beginnings on it--January calendar, blank book (3D element), wedding ring or announcement, graduation picture, clock or timepiece of some sort, etc. This could be good practice for identifying a focal element and arranging different items, and it would be fun to use the different media for blending things together, especially now that I have the encaustic medium.
--I really like the idea that a beginning is also an ending and have found it very hard, in fact, to separate beginning from ending when thinking about this challenge. It would be another mixed-media piece, but maybe I could fashion a Mobius strip out of something, perhaps with words or a quote written along it?
--I also thought of doing a sunrise somehow, maybe in Art Deco fashion and tearing strips of paper to serve as the sunrise. This would be a landscape-oriented piece.
--I could make it personal and do a collage of beginnings for me: first house I remember, anything else significant. Must admit this seems the least interesting of all so far though.
--Some artistic representation of the beginning of a fractal--see quotes below. Now that could be quite fun!
Quotes about beginnings that might be interesting to muse over:
--The beginnings of things, of a world especially, is necessarily vague, tangled, chaotic, and exceedingly disturbing. ~ Kate Chopin
--"In my beginning is my end." ~ T.S. Eliot
--"Play is the beginning of knowledge." George Dorsey
--"Solitude is the beginning of all freedom." William Orville Douglas
--"At the earliest drawings of the fractal curve, few clues to the underlying mathematical structure will be seen." Ian Malcolm
I am amazed at how fast the transition has been for me from following very detailed instructions to create a clearly defined end result to just playing around and seeing where it takes me. Really, I thought that would be much harder for me to do! I think that all the projects and reading I've done have really paid off, which is how I typically do things--immerse myself in information for a while, then I surface and start synthesizing what I've learned to execute it in my own way. From somewhere I have gained a lot of confidence that I didn't have just a few months ago.
One of the things I did that has produced some lovely embellishments to use on my Xmas cards was to make some monoprints with alcohol inks on glossy white paper (I think I used red pepper, oregano, and the gold metallic mixative). I thought they might work as background panels for something else, but they didn't, so I then put some gold peel-off stickers I got in England last summer on them. They looked nice but like stickers put on paper (which they were, of course!), so I put Glossy Accents over the exposed parts, and they really look quite nice now.
With all the coupons Michael's has been handing out the last few weeks, I've been adding some neat things to my inventory. One is the Sophisticated Finishes Patina set, which I'm dying to play with but may not get to until after the holidays (sob). An idea for one of next year's Xmas cards is to cut a big Xmas tree with upturned corners, patina it, and punch holes to hang little ornaments from on tiny jump rings. Or, maybe, just do the tree as is once it's patina'd--embellish it by putting a star on top or something.
Anyway, about beginnings:
--One idea would be to do a collage with many different images of beginnings on it--January calendar, blank book (3D element), wedding ring or announcement, graduation picture, clock or timepiece of some sort, etc. This could be good practice for identifying a focal element and arranging different items, and it would be fun to use the different media for blending things together, especially now that I have the encaustic medium.
--I really like the idea that a beginning is also an ending and have found it very hard, in fact, to separate beginning from ending when thinking about this challenge. It would be another mixed-media piece, but maybe I could fashion a Mobius strip out of something, perhaps with words or a quote written along it?
--I also thought of doing a sunrise somehow, maybe in Art Deco fashion and tearing strips of paper to serve as the sunrise. This would be a landscape-oriented piece.
--I could make it personal and do a collage of beginnings for me: first house I remember, anything else significant. Must admit this seems the least interesting of all so far though.
--Some artistic representation of the beginning of a fractal--see quotes below. Now that could be quite fun!
Quotes about beginnings that might be interesting to muse over:
--The beginnings of things, of a world especially, is necessarily vague, tangled, chaotic, and exceedingly disturbing. ~ Kate Chopin
--"In my beginning is my end." ~ T.S. Eliot
--"Play is the beginning of knowledge." George Dorsey
--"Solitude is the beginning of all freedom." William Orville Douglas
--"At the earliest drawings of the fractal curve, few clues to the underlying mathematical structure will be seen." Ian Malcolm