A Quiz, Somerset Studio May/June 2009, p. 75

What are your three favorite colors?
Blue.
Red.
Green (learned to like this because so many of my aunts like it, and I make things for them).
Fourth would be purple.

What kind of architecture do you like?
I like a lot of things. The English half-timbered look with leaded glass panes is a favorite, as is the English cottage. I like the Spanish villa style and love the look of the French Quarter and the Garden District in New Orleans (pre-Katrina).

I do not like the rows of terraced Victorian houses, nor do I particularly like modern unless it's done very, very well. I don't care much for Greek or symmetry in my buildings. What I do like is warm, inviting, welcoming, cozy (of residential). I like a lot of light. I like natural materials rather than synthetic.

What are the three words that describe your personality?
Unassuming.
Listening.
Undemanding.

What is your favorite animal?
Cat.

What do you collect?
It used to be books. Sometimes I would buy a book just because I liked the cover. I also buy blank books and never write in them. Also I love to get small unique serving pieces to use for company--or just myself! Another thing I have always liked are vintage labels. It's really only recently I've given this any thought--I don't think I've ever given myself permission to collect anything before (and am not sure I have yet).

What is your favorite season?
I like them all. Each has different things to recommend it. Spring is lovely because it transforms the landscape, summer is nice because it's so relaxed, fall is great (probably my favorite, I guess) because the coolness is such a welcome relief after the heat of the five-month-long summer here in Central Texas, and the winter is fun because I like snuggling up with throw blankets and hot water bottles (remember, Central Texas, this is a novelty and doesn't last long).

Name your favorite icons.
Not even sure what is meant here. I'll substitute "images" for "icons" and answer it that way. Strong, confident women--goddess, archetype images. Images with that secret air of knowing about a mystery that no one else does. The Serena image that Stampsmith sells--something about the look on her face. I like water images--Japanese waves, still oceans, waterfalls, all of it.

General Musings

Haven't done anything more on "truth" lately.

I'm still trying to finish my "time" piece; I was unhappy with the background (too much One Step Crackle in a particular spot looked milky and didn't fit in with the rest), so I sanded it down and am trying again with different media. This time I painted it with a coffee bean acrylic undercoat, then a mixture of Golden Crackle Paste tinted with Jacquard metallic pewter. It's been curing for the requisite three days (worked out perfectly since I came down with a head cold two days ago), so tomorrow I'll take a look at it and see if that will work.

Truth still seems to me like something I'd like to have that is seen differently from different angles. Question is how best to achieve it? Put something in a box and have each box decorated differently--stained with alcohol inks, tissue paper, mesh, etc.? Should one be able to lift the box or top off to see what is really inside? I think the answer to that is yes. Now, what should I have in the box??

Oooh, wouldn't it be neat to have something in the box that even when the walls are lifted away and the thing is revealed, you still can't be sure exactly what it is? Now what could I come up with for that? Perhaps that's something for another day when I have more expertise.

Now at least I have something I can go with--can get one of those square display cases at Michael's to use and alter it as necessary. Just have to figure out what to do with the sides and top--that's five things. Perhaps one should be opaque. What if have the top be opaque and the sides done with different palettes of alcohol ink? That's at least a good place to begin.

(Only a Few) Quotes about Truth

This is an interesting one:

Most truths are so naked that people feel sorry for them and cover them up, at least a little bit. --Edward R. Murrow

That could be quite fun to put into pictorial form, although that's not really how my brain works, but it gives lots of possibilities with the light shining through obscurity. Even go literal and use a woman's full-on nude image, being covered up by things. Go political and make it a burka.

Wow, I'm finding lots of insightful quotes about truth, but nothing that sparks any kind of imagery. Most are all intellectual. I may just go back to the ideas from my last entry and work from there. I did quite like something from Virginia Woolf, who said that "if you do not tell the truth about yourself you cannot tell it about other people". That ties in with my mirrors theme that came up last post.

Now this one from Oscar Wilde is interesting: "“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.” I like the idea of masks, although of course I don't have any supplies (stamps, molds) to use for it! Of course I'd be attracted by something that requires buying more stuff! But it's also what this blog is about, since no one I know has the URL for it, unlike my family blog or Facebook account. I am truly free to write here without wondering whether someone in my family will think I'm pretentious, deluded, or just egocentric. And that seems to be true for many people on the internet, although not always to their credit.

Now this would be a fun one to do by including these words by Aldous Husley as part of the piece: "Ye shall know the truth, and the truth shall make you mad."

Well, harrumph. I guess I'm going to have to muse on what truth means to me, but that will have to be another post.

What is "Truth"?

So, A. has selected "truth" as this month's topic, and I may need to work quickly since we are halfway through April.

How does one illustrate truth? Or make a piece representing it? Could do a mirror with decorative mosaic edge. Ooh, could do a mobile with lots of glass tiles and miniature mirrors, because often truth requires finding little bits of it here and there and then piecing it together. Or along the same lines, do a puzzle (ornamental), perhaps with one piece left to put it. I am liking these ideas . . .

Let's see if I can come up with some that don't involve mirrors. Is truth something that blazes out at you, grabs you by the shoulders and shakes you, saying, "Here I am and you cannot ignore me!"? Or is it something quieter, that steals into your being and makes itself known over a period of time? As always, my question too is this: what color is truth? I don't think it's one of the primary colors--not subtle enough, not enough depth. Perhaps a blue, but why? Because of the blue in the sky, the blue of the water? Definitely not purple. Hmm, and I just contradicted myself, didn't I, since blue is a primary color. I guess I am thinking of a different kind of blue, one with clarity and depth, one with translucence.

Next thing I'll go looking for quotes again. I haven't yet used one, but I enjoy the thinking that comes along with finding them.

End of "Time"

Unfortunately, my group's get-together to show our "time" pieces had to be rescheduled . . . but the plus side of that is that I have a chance to redo what I mounted my piece on. Had a technique glitch with the DecoArt One Step Crackle; I got so frustrated that I wasn't getting the size crackle I wanted, so I poured on a huge lump of it and didn't smooth it down enough. When dry, there was surely a great big crackle in it, but it looked milky and didn't blend in with the rest of the background.

I guess I'm going to have to sand it all off and redo the layers--dark brown acrylic (and I think I'll do two coats this time instead of just one), then Tim Holtz's Brushed Pewter Distress Crackle, then a nice thick layer of the One Step Crackle. Once that's all dry, I'll use the Antiquing Solution. I also think I'll use a tack to mount the faux pendulum rather than a foam dot, which doesn't seem to be holding very well. I *will* get this right!

Finally, Making Something Again!

I have had it with all my stuff being in the garage (our house is on the market for sale). This afternoon I dug around in various boxes and found my toolbox, my Distress Ink pads, my Xmas gifts of some Tim Holtz items (game spinners, sprocket gears), and a few other things. Not too much, just a few things.

Then I made a chipboard clock using some Heidi Swapp items and following the directions on Tim Holtz's blog for the last Xmas tag of 2008 (steps 16-35). It was so much fun! Took about 10 minutes, but the result looked great and I had a neat embellishment for my project. Did I mention that my group's art challenge this month is "time"?

Since I don't have a lot of room or materials available, I am going to try to keep this month's project small. I have inked up a 3x4" canvas with Dried Marigold Distress Ink, then I used one of Tim's new masks and put Vintage Photo DI over the top. Now what I want to do is use some of his new stamps in the sets that have just become available at Michaels, but I can't find my acrylic mounts. Grrr.

It feels so good to be doing something again that is creative, that has a tangible end result--I love it, love it, love it. I feel fully alive again for the first time in two months. Must remember that this is necessary and make sure that it doesn't get shut down like this (of course, we hoped our house would sell faster and our stuff would come back out sooner than it has). But this is a good feeling, a feeling of accomplishment and engagement.

Quotes about Time

And you run and you run to catch up with the sun but it's sinking.
Racing around to come up behind you again.
The sun is the same in a relative way but you're older.
Shorter of breath and one day closer to death.
- - - Pink Floyd "Time"

Lost, yesterday, somewhere between sunrise and sunset, two golden hours, each set with sixty diamond minutes. No reward is offered for they are gone forever.
- - - Horace Mann
[I have always liked this because it's in one of the Laura Ingalls books. I'm not sure "like" is the right word, exactly, but I have never forgotten it.]

"Veritum dies aperit" (Time discovers the truth)
Seneca De Ira

No one can possibly know what is about to happen: it is happening, each time, for the first time, for the only time.
(James Baldwin (1924-1987), U.S. author. (First published 1976). "The Devil Finds Work," sect. 1, The Price Of The Ticket (1985).)

Time is a great teacher, but unfortunately it kills all its pupils. Louis Hector Berlioz

“Great artists treasure their time with a bitter and snarling miserliness.”
Catherine Drinker Bowen

Initial Thoughts on Time

Back to me to pick this month's challenge for our group--I went with "time". None of us seem to have any right now, so it seemed appropriate!

While at a mandatory seminar last weekend, I jotted down some notes and thoughts on the topic; here they are.

To begin, I need to decide if I'm going to look at time as neutral, as an enemy--prisoner of time, a limiter--or as positive. And personal level or society level?

Could do a family tree/genealogy theme. Or could use the fog of time that obscures things, yet sometimes it's only time that brings true clarity.

Incorporate mirrors (small ones) here and there in the piece, because you can't escape time, it is relentlessly objective, there is no appeal--it shows you what is, no escaping.

Also use an hourglass somewhere, or the shape of one? Could get the sand medium to use on part for "the sands of time" (might be too cliched). Or could do some train tracks somewhere for "the tracks of time". Maybe just do an entire piece using common cliches about time! Ha.

What are the colors of time? Browns, golden, iridescence, sand medium around edges.

What are the patterns of time? circles, spirals (use the new technique just learned with wireworking to make some--could use in the border)

Elements to use:
chains
mesh
mirrors
sepia tone
spirals
words/quote on side running off the edge

Find a quote about time--something that addresses how it imprisons and frees us at the same time.

Could do a progression--distressed at top, progressing down to pristine images--passage of time.

Could make a memento box with tiled top (and sides?)--would have to use all manufactured tiles. Idea from Mixed Media Mosaics.

Shapes of piece:
grandfather clock: a portrait rectangle with a circle hanging below it from a chain (chains of Time).
hourglass: two landscape rectangles with circle in middle
other: square on top, circle in middle, triangle on bottom (could use past, present, future in triangle)

March Challenge Topics

It's my turn to come up with a topic for next month's challenge, and I think I am getting a good list together. It's a little harder since I want to find something that I can produce a finished piece on even with the limitations of our current housing situation (primarily that all my stuff is packed away in the garage in preparation for putting our house on the market!), but I don't want to do another month with me just bringing in sketches and ideas and nothing done.

So far this is what I've got:
transition
home/country
faery
transfer [technique challenge]
writing [incorporate somehow into final piece]
complementary colors on color wheel
triptych
tile [give everyone one to do or use however they wish]
mini canvas + easel

As I look at these, I think that faery is the one most appealing at the moment. It's whimsical, could easily be given many different interpretations, could go into literature for inspiration (A Midsummer Night's Dream!) . . . not sure how I could execute on it but it ought to be doable even with limited tools.

We'll see what else pops into my head over the next week . . .

Being Without

We have spent the last month frantically getting our house ready to go on the market. There hasn't even been headspace to think about any projects, let alone blog about them or explore them in my sketchbook. And now that we are nearly ready and the headlong rush has paused a bit, I find myself at a bit of a loss since all my stuff is packed up in the garage, waiting for a new house and space to come out. I miss all my things, my boxes of beads and charms and ink pads, and wonder how it will feel when I finally get to unpack them. Could be one month, but probably more like two or three, and more if we are unlucky. Fingers crossed for a speedy resolution to the whole process.

I'm finding that since A. and I started this monthly challenge thing, that's all I do (except for making the Christmas cards). That's okay with me right now. It's a function of how much time is available, and with a four-year-old it's still pretty limited.

This month's challenge topic is "experiments". I won't have a finished project to show since all my stuff is packed, but I did get out my new sumi painting set last Wednesday on my birthday and tried a couple of things. One thing I found out is that I had never used a brush to do calligraphy--in the past I've always used a calligraphy pen. I love the way it looks with a brush! And I will try to work that into something soon. Our showing is a week from tonight, and I'd like to do something else but am not sure what. Before all the house stuff started, I had already ordered a miniature chemistry set off of eBay and was going to make a shadowbox, but I just don't think I can do that now. It's too hard to go through boxes to get just what I need and then put it all back up again. I guess I could think it through and set it up, at least. After last month and thinking about what turns something from "craft" into "art" (not that it's important necessarily, I know), we concluded that art definitely involves the personal expression of the artist. So I have tried to think of what I could do with the background to personalize my shadowbox. Maybe use a couple of pictures--the one of my dad as a toddler being held up by his dad to press the doorbell, and print one from last summer with Daddy and Jonathan in the granary with the chemistry set in sepia tone--that might be nice.