"Courage" Portfolio Cover and Small Notebook

Well, so much for my attempt at posting once a day this month (much less doing something artsy each day and writing about it!)--but I'm not unhappy or disappointed.  I'm proud of myself for that!

My mom was visiting for five days (whirlwind trip that included attending an outdoor performance of Hamlet under an oak tree on the edge of a graveyard as well as the opening night of La Traviata), and trying to fit all the other stuff in simply wasn't going to happen.  But I did feel that I was creative every day--on both Thursday and Friday we played our duets together (Mom on tenor recorder, me on a folk harp), and on Wednesday and Sunday I prepared nice meals for us to share.  Sunday evening, her last night, I made risotto with carnaroli rice and fresh parsley & dill, topped with roast chicken and drizzled with an aged balsamic sauce.  One of my favorite dishes--visually appealing, healthy, and delicious.  Then today I had to spend a lot of time doing finances with my husband; not any fun, but necessary, unfortunately.

So I am going to post up about a couple of notebooks that I made at the beginning of the summer for my cousin who was both turning 18 and graduating from high school.  She has had a difficult childhood and IMO never got the support she needed from either her parents or the school system, and it's a testament to her strong will that she is still here, frankly.  But I find it difficult to talk to her (always hear in my head how stupid I sound trying to talk to a teenager when I'm forty with two kids) in person, so I tried to put all my feelings, hopes, and emotions into what I made for her.

As always, I didn't have enough time, so they aren't very complicated.  The saving grace is that everything was done by my own hands--at least I hope I can lean on that :-).

For one item, I made a portfolio cover (inside it holds manga illustration pads, since she is writing cartoons but has others do the illustrations), and the bookplate design I crafted in Photoshop Elements.  I used scans from some old diary pages of hers and then wrote "COURAGE" over the top.  The cover is painted with Lumiere paints, and I affixed a great multitude of carefully selected talismans and embellishments to the book rings.

I also made a smaller notebook that would be easier to shove in a backpack.  It has painted grungeboard covers (I mixed up a custom shade of purple--her favorite color, again using Lumiere paints), and for the little special touch, I put some origami paper behind the keyhole decoration.

My hope is that she spent time at some point looking at all these things and knowing that I made it for her.  I haven't heard from her about them, but my guess is that 20 years down the road she'll say something about it.  It's okay that she hasn't said anything, too.  I probably wouldn't have at that age either, and anyway, that's not why I made them--to hear a response.  I made them because I needed to give them to her, end of story.

3 November: Wrapping Up a Project

I believe I can say with some certainty that I am close to wrapping up my holiday card-making project for 2010.  Unfortunately I didn't get this up yesterday, but hopefully the arrival of my mom is a valid excuse for missing my post!  She's here for only a few days, and the kids were excited for her to be here, dinner was more of an affair than normal, and so on.

Indulging myself with the holiday cards has been enjoyable.  Christmas has always been my favorite holiday, hands down, even when I was a kid.  The way the house is transformed with the festive decorations, the getting of and decorating of a tree (always a real one), the colors of the wrapping paper on the presents, the songs . . . I just love it all.

So it's been fun to play with the different papers, colors, and embellishments this year, but next year it will be different.  (Isn't that always what people say?)  Possibly what I'll do is decorate large sheets of paper to use as base panels on cards, and then  . . . hmm, I'm not sure what then.  Will ponder that one some more.

What I'm aiming for is a way to keep pushing myself to let a little of myself into what I'm doing so that my cards are truly unique--and not have the process take so long.  There are books I want to make, that I have wanted to make since my trip to Houston the first week of August, and I just haven't had a chance.

Not that I regret this, at all, but I do hope to streamline the process next year, and that's only going to happen by thinking and planning now while it's all fresh in my head.

Progress on Holiday Cards

Today I made good progress on getting my holiday cards finished and photographed so I can post them up to my site.

They aren't really for anyone else to buy, but some of my family like to purchase handmade cards from me for their own friends, and using a site makes it easy for everyone (I use a free site at shophandmade.com.).  I still haven't figured out exactly how I want to approach making holiday cards (generally the only really "crafty" thing I do in the year), but I did manage to stay consistent by having the entire process take about five times longer than planned.  I've been working on these since the second week of August!  I have learned a lot of new techniques and gotten some great ideas for book covers; it's definitely not wasted time.

Even when I was in high school, I loved selecting and sending holiday cards.  I used to write long-winded messages to my friends full of very sincere and probably now highly embarrassing thoughts in my cards, as I felt it was a time to say all those things that one felt throughout the year but never quite had the guts to say out loud.  I guess I've come full circle, because now I have plenty of things in my head that I have no intention of saying out loud!  But I still like making holiday cards.

Holiday Bottle Caps

This summer I started drinking mineral water (couldn't stand the stuff before, but suddenly it appeals to me), and I found myself compelled to keep the bottle caps.  It seemed such a waste to throw them away.  So I gave in to the compulsion and figured if I didn't do anything with them after a while, then I'd get rid of them, but I'd give it a chance first.

So last weekend I got a really rotten cold (of course when my husband was away on a business trip, so the kids had to put up with their mom feeling awful), and on the second day when I was beginning to recover, I figured what better to do than bang on some bottle caps with a hammer?  Turns out it's pretty easy to get them into a pleasing shape and also kinda fun.

Then I discovered that even with all the things I have, I lacked a 1" circle punch.  Now that situation is remedied, and with some Graphic 45 paper and a little Glossy Accents, I have some great holiday embellishments!  I may use some on cards, but I'm also thinking that for anyone who buys cards from me, I could wrap the cards up in tissue paper, tie a ribbon around the package, and glue a bottle cap onto the ribbon.  A nice presentation can make people feel their money was well spent, and makes them feel special into the bargain.

Windy Snowmen

Although I am still fighting off a cold and don't sound too pretty, I have had a productive morning finishing up the set of five snowmen blowing in the wind. Hard to get into the mood when our high here is supposed to be in the low nineties today! But I have so many other things I want to do, and I can't allow myself to do them until I get the cards finished that I have started. (My problem is always finishing things--I like the fun part but then there's always the homework with the finishing touches--that's why I say this is good therapy for me.)

The tags are from projects on Tim Holtz's blog, but he leaves it up to you to decide what to do with the tag once you're finished. I finally came up with copying Vince Guaraldi's "Christmas is Coming" piano music (I play the piano so had it easily to hand) after reducing it to 80%, inking with Distress Inks, and then adhering the tag to that. The name of the music isn't on there anywhere, but I know what it is, and it makes me happy. I can even hear it playing in the background while the snowman does a happy dance!

A birthday bookmark

Tonight I was so very bone-tired . . . and then I realized that tomorrow was my dear friend's birthday, and the whole week had gotten by me without an opportunity to make something for her. We haven't gotten to see each other lately even though we live less than five miles from each other and our sons go to the same school, but the affection remains, and I couldn't let the day go by without marking it.

So, when something is needed quickly, I often turn to fashioning a bookmark. (I think part of the reason I felt so deeply tired was this constant pushing I am doing at myself to break away from following other's designs and instructions and really start from scratch with what I do . . . more of this seeking my own style and being brave enough to allow myself to discover how I wish to do things, so very difficult.) Very proud of myself in the end!

So to begin, I looked around my workspace and saw a leftover strip of monoprinting that I'd done with alcohol inks on glossy paper for the holiday cards I am laboring over--thought great, that will do for a background. Then I looked at my stamp collection and found the Elegant Stems stamp from Stampington--perfect. I used Jet Black Archival Ink to stamp with and dried it with a heat gun, then I applied Weathered Wood Distress Stickles to the three flowers and dried those with a heat gun too. The new corner chomper I got the other day made great deco corners. Looking good so far, but then of course the back of the glossy paper was dirty, so I needed something to mount it on. Quickly I found a silvery paper I'd gotten in England, and I used slate and sail boat blue alcohol inks to tone down the brightness. I edged the monoprint with silver Krylon pen on the straight edges (not the deco corners), ran it through my Xyron, and mounted it. Then I used the other setting on the corner chomper to make stub corners on the backing piece.

One of the things I'm most pleased about is that I finally put to use the rudimentary jewelry techniques I learned last year (I had to put all my toys away when our house was on the market), and the attachment to the bookmark is exactly what I have wanted it to be. I used metallic embroidery thread (love that stuff!) for the cording, and on one end I attached a Tim Holtz "Muse" tag where I'd highlighted the debossed letters with Cloudy Blue Adirondack Paint Dabber. But I hate tying loops and having straggly bits of thread or cord left over, so I had a go at using crimp beads, and they worked! Woo hoo! I'm sure my technique could have been better, but I am not complaining. No messy ends--yay me.
Finally, for the presentation, I took a little blank white bag and inked it with three different shades of blue Distress Ink, then I stamped Tim's fabulous flourish (swiped it on the Jet Black inkpad rather than tapping it in hopes of a less vivid image) on both sides. Grabbed my fibers basket and found one that matched all the colors of my piece, wrapped it around, and voila! The thing is done, and I have something I will be pleased to give my friend tomorrow on her birthday.

Faux Vintage Glass Shards

Been plugging away at those holiday cards, and look what I discovered the other day . . . the excess Rock Candy Distress Crackle Paint that I brushed off the edges of a tag looked like this.
They would be great in a mixed media project or in one of those cute little Ranger Memory Capsules. Everywhere you look, there's beauty if you're open to it.

Visual Journaling--papers and media

I thought I'd share a little more of my personal "discoveries" (new to me, at least!) and what I synthesized out of all the investigation I did in preparation for my son's middle school visual journaling project.

The first thing I decided needed to be determined was what paper to recommend to the teacher to use. Very quickly I realized that was determined by what media were going to be both available and feasible for the kids to use in the time & space they had to do their pages in. So I quickly had a go at making pages using the following papers:
--Canson XL Series Mix Media notebook (7x10"), which is 98lb paper and recommends itself for acrylic, watercolor, and pen & pencil
--Strathmore 400 Series cold press watercolor paper (9x12")
--Strathmore Visual Journal (5.5x8"), 90lb paper, recommends itself as "great for wet and dry media including watercolor, acrylic, pen and ink, pencil, crayon, charcoal, marker and collage"

Frankly, all of these papers had the problem that they weren't going to fit well into the standard-size binder that the kids were using. I decided to put that issue to one side and just concentrate on the paper, since that could be addressed later.

The Canson Mix Media journal I did not like at all for watercolor, whether tube paints, pencils, or crayons (Neocolor II). Once it got wet, it started pilling, and that was not a desired effect! It wrinkled easily and didn't dry flat like the heavier Strathmore 400 Series paper did. It was fine as long as reasonably dry media was used (markers, pens, colored pencils). I don't even think it would do too well with glue.

I had a lot of fun doing pages on the watercolor paper. It took an UHU glue stick with no problem (carnaroli rice page), walnut ink & acrylic paint also no problem--paper stayed flat and sturdy. The problem, however, was that it is expensive (nearly $10 for a 12-page pad), and I thought the rough surface might put the kids off from a writing perspective. Here they are, not all what I would call "complete":




















































































































These are the only two pages I've done in the Strathmore Visual Journal:




















Both are done with watercolor tube paints, and the paper holds up great. In the blue one the tissue paper was adhered with Mod Podge applied with a palette knife, and that also is fine. I like this pad much better than the Canson XL Mix Media.

However . . . for my son's class, as much as I was enthralled with either watercolor tube paints or acrylics, I didn't think that was a workable offering for them. Little pots of water to get knocked over, brushes that wouldn't get cleaned, papers that would need somewhere to dry, pricey papers that would need to be continually bought throughout the school year--nope. But I still felt they needed some way to apply color quickly to the entire page, and something with fuller & easier coverage than colored pencils or art stix. I also didn't want them to use anything that required use of a fixative (pastels) or protective sheet to prevent sticking (acrylic paint).

Luckily, I've been busy making lots of Tim Holtz-inspired holiday cards (this is the only occasion for which I make cards each year) and familarizing myself with his techniques for the amazing products he's got. I realized that the Distress Ink pads would satisfy all the requirements for this project. They can be used in the following ways:
--apply directly to paper with the foam pads & handle
--apply to nonstick craft sheet, spritz with water, and make a monoprint
--apply to nonstick craft sheet, spritz with water, and use a paintbrush to apply as paint
--use ink pad to ink up any mark-making object (end of a cork, corrugated cardboard, ruler) and then apply to paper
(I probably missed something, but these are the things I showed the class how to do.) Clean-up requires not much more than a paper towel.

And now that we weren't going to use really wet media for applying broad swathes of color, I could tell the teacher to get a package of heavy cardstock (110 lb) at our local grocery store for about $5 per 150 8.5x11" sheets. THAT is price-conscious!

Other media used in the journal pages shown in this post and the previous one include oil pastels, colored pencils, graphite sticks, Micron pens, china markers, watercolor pencils, watercolor crayons, multiple shades of walnut ink sprays, tissue paper, gel pens, . . . and probably a few other things that just don't spring to mind right now. I really went all out to make sure that whatever I recommended to the teacher to buy was good stuff!

Bottom line regarding paper: if I were going to use a store-bought journal, then I would get either one with at least 120 lb. watercolor paper or the Strathmore Visual Journal. (My moleskine also does pretty well, and it definitely doesn't pill like the Canson does.) If I were going to make one (which is my preference, since book-making is truly what gets me going), then I'd use a combination of hot and cold press watercolor paper plus some heavy cardstock.

Bottom line regarding media: that depends on how mobile one wishes to be. I think the watercolor tubes are huge fun, and I have no problem using them in the hallway of our community center while my son is in his taekwondo class. Seems to me the ink pads would be harder to carry around--they'd need to be in a box so they stay flat. Essentially I think one could use anything as long as you've got the right surface for it . . . just like the rest of the art we make!

I wrote this in response to an inquiry, but it's rather long-winded b/c I also wanted to share my thought process on helping a classroom be successful with this. Please ask if you seek any clarifications.

Sticking my Toe into the Waters of Visual Journaling

I mentioned in an earlier blog post that over the summer one of my son's teachers asked for my input on a project, and it was definitely a situation where one thing led to another. In the space of about six weeks I did an immersion course on journaling (never something that appealed to me before)--techniques, materials, approaches, etc.

The original mandate was simply to guide them in creating a cover for their notebook . . . but the "notebook" was a 3-ring binder, and I didn't like the chances of plain old Elmer's sticking things onto it that would last the entire school year. After a couple of weeks of stewing and experimentation, I decided to recommend that the kids lay down a base of paper (and then on top of that they could do anything that moved them) and that we use a Xyron to adhere the paper to the plastic cover. That led into all the theory about how to select items that produced a pleasing result, and research about how other people decorated their covers, and of course in those books are all sorts of chapters about the journaling process itself . . . and you can see how one thing led to another. I checked out one book from the library on journaling for children, but it was aimed at younger kids (my son is in middle school), and I bought the rest. I liked all the books I got and don't regret any of them. (We are cutting back on spending now!)

Much of the time at the end of August and first half of September were spent distilling what was contained in about 8 different books into a presentation for the kids so that they would be happy both with their cover and with their pages they do throughout the year. Part of what took me so long is that I had to work through the talk I wanted to give myself at that age so that I could just give them the info they needed and not assume they had my own hang-ups. I think I did a good job--they are all excited about doing pages (this is 10 boys and 1 girl), and they are learning to experiment and express emotions through use of more than words. It's been really exciting to be part of this, and immensely rewarding.

In order to figure out what materials to recommend for purchase to the teacher, I had to do a lot of sample pages myself, since I was not previously a journaler. Words are inadequate to express how much fun I have found it to be! There was a quote in the issue of Art Journaling that I read over the summer that tilted my view of it so that all of a sudden everything came into focus and I understood it--I think it may have been by Pam Carriker, although I am not sure about that & can't double-check at the moment--but it was someone who said that journaling for her was a way of keeping in the creative habit. Wow, I thought, that I can wrap my head around. Before it really just seemed like a waste of time to me; why mess around in a journal when I could actually make something? (Remember I have a 6-year-old daughter and an 11-year-old son; my life is not my own much of the time.)

But after doing these pages that you see throughout this blog entry (some finished, some not) and gaining a more full understanding of the activity, I am completely on board. It is fascinating to see how I do all sorts of things that would never have occurred to me to do on "a piece", and it's just so much fun to play!

Stalled and Figuring Out How to Escape

I am stalled on my holiday cards, which is a real shame because I have bits & pieces of works-in-progress scattered all over my desk and the dining table. It's driving me nuts! So tonight I realized what I need to do is blog about it to help figure out WHY exactly I am stalled and HOW in the heck I'm going to get out of this. I want to do some other things, but I am disciplined enough to not start any other projects while these are unfinished (also, I would have nowhere to put new materials!), but I find myself avoiding the situation instead of buckling down and getting them done.



Why is that, I finally asked myself this afternoon? I was hoping that this year I'd be more efficient with my holiday card-making (the only time of the year I ever make cards), but it is turning into a slog. Part of the problem is having to create materials from scratch. Some of the cards use die-cuts (store-bought) of Tim Holtz' grungeboard, but often only one of an item comes in the package, so if I want, say, three of something, I either have to buy another whole package to get one element (NOT an option), or I have to use the punched-out piece as a stencil, trace the shape on a new piece of grungeboard, and then cut it out. That's not fun, I don't like doing it, and that's a large part of what I'm avoiding.

So, in the future, what I need to understand is that I am simply not going to make multiples of something if I have to do that. I thought making just a couple extra wouldn't be a big deal, but it turns out it is. At least now I recognize that and can apply to future holiday seasons.

I also need to have giant inking sessions. It's a pain in the neck to get everything out & put it back all the time, plus it takes forever to scrub the ink off my fingers. I'd rather do it all at once, because I do like doing it, just not the cleaning up so many times.


Good, that's two big things dealt with. Now I need a plan to prod myself back into action and wrap this stuff up by next weekend. I think it's doable, but it will take some work on my part. Maybe an incentive as to what I can do when I'm finished would be a good idea? Not a bad thought, I believe. Will have to ponder what it could be. . . .